Workflow Papers
Codec and Effects Limitations for 10 Bit online workflow with Final Cut Pro 6.0.2
Many editors dismiss Final Cut Pro for high end online workflows preferring much more expensive solutions. For those who don’t have access to a six figure online system, its useful to understand the limitations of exactly what you can achieve with FCP. Some people might not realise that you can do a 10 bit color online (or even 12 bit online) by working around some of the restrictions of FCP.

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Red Camera 10 Bit Color Online Workflow with FCP 6.0.2
Making sure you get the maximum potential out of footage shot with the RED ONE camera is still very much a work in progress. This article doesn't aim to be a comprehensive workflow solution but just to focus on one aspect, how to get the best possible finish if your final online tool is Final Cut Pro, and how to ensure that you keep your 10 bit Color information all the way through the pipeline.

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