CoreMelt User Survey for Video Production Professionals
Answering this will help us develop better products by telling us about the work environment you use in your production workflow.

 

Complete our poll and go into the draw to win valuable software products from CoreMelt*. Two poll respondents who choose to give email addresses will receive the "CoreMelt Complete" package, all four CoreMelt plugin packages, Ten respondents will receive their choice of any one CoreMelt plugin pack out of PolyChrome, ImageFlow, Motion Pack, Editing Pack. The poll will close on Sunday 6th July 2008 and winners will be picked on Monday 7th july and notified via email (* conditions apply, available after poll submission)

 

Production Environment
Optional: Please provide your email. Your poll responses will still be counted without entering your email but supplying us a valid email will enter you in our prize draw for CoreMelt products.
Email:   
Which of the following do you use in your production workflow? (choose all which apply)*
Color
Quantel
Flame/Smoke
Scratch
Avid
Motion
Shake
Final Cut Pro
After Effects
Premiere Pro
Which operating system are your main production machines using?*
Mac OS X 10.4 (Tiger) no plans to update
Mac OS X 10.4 (Tiger) but plan to upgrade soon
Windows (any kind)
Mac OS X 10.5 (Leopard)
Other:
Which version of After Effects do you use?*
AE CS3
AE 7.0
AE 6.5 or earlier
Don't use AE
Which version of Final Cut Pro do you use?*
Don't use FCP
FCP 5
FCP 6
FCP 4 or earlier
Whats your main final delivery format?
Feature films / DI or film recording output
Indie film making
Uncompressed HD or PAL/NTSC for broadcast
HDV or DV output for corporate and events
Web / DVD / streaming
Live performance / Visuals / VJ
Other:
How many production machines are at your workplace?
more than ten
six - ten
two - six
one
How many plugin packs do you buy per year?
more than four
two - four
one
less than one
don't buy plugins
Do you work with the RED camera?
Yes, we have one.
We work with footage from the RED.
We will be soon
No plans to do so
Is effects processing at high color depth (>8 bit) important to your workflow?
Yes, we work in 16 or 32 bit per channel.
We do occasional jobs where it's needed
We will need it soon
It's not needed by us
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